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Artemisia Gentileschi and the Authority of Art: Critical Reading and Catalogue Raisonné, by Ward Bissell
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One of the most memorable creative personalities of the Baroque age and arguably the most forcefully expressive and influential woman painter in history, the Roman-born Artemisia Gentileschi (1593–1652/3) has become the central figure in the recovery of the history of art produced by women. Applying a rigorous methodology, this profusely illustrated study with interpretative text and catalogue raisonné embeds Gentileschi’s pictorially and emotionally compelling pictures within the actual sociocultural contexts in and for which they were created.
The interpretive text analyzes key pictures and primary literary evidence to reveal the sweep of Artemisia’s oeuvre, chart her travels, define her standing with artists and patrons of the period, investigate the links between her financial situations and the artistic decisions that she made, and assess the validity of proposals regarding her activity as a still-life painter, her access to professional organizations, her level of literacy, and the nature of her subject matter. Exploring the question of the interrelationships among Gentileschi’s gender and experiences as a woman, the state of her psyche, and her art, the text also confronts—and often challenges—the widely embraced feminist interpretation of her pictures.
Many of the conclusions in the text are supported by an extensive register of archival documents and by the very core of the study: the first and only catalogue raisonné of Artemisia’s autograph works, each of the fifty-seven pictures exhaustively investigated as to basic factual information, condition and color, iconography, history, documentation and dating, existing copies, and bibliography. Catalogues of misattributed and lost paintings complete this comprehensive volume.
- Sales Rank: #1907289 in Books
- Published on: 1999-04-27
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x 1.72" w x 8.50" l, 4.97 pounds
- Binding: Hardcover
- 648 pages
About the Author
R. Ward Bissell is Professor of the History of Art, University of Michigan, Ann Arbor, and author of Orazio Gentileschi and the Poetic Tradition in Caravaggesque Painting (Penn State, 1981).
Most helpful customer reviews
4 of 4 people found the following review helpful.
Bissell's book is best read in tandem with Garrard's book.
By A Customer
I plan to use both the Bissell and the Garrard book on Artemisia Gentileschi in my Baroque Art History class this Spring. Since these authors often interpret both works and life events rather differently, students should find the comparison stimulating.
5 of 7 people found the following review helpful.
Art History of the Highest Order!
By Richard Burt
This is a superbly written and researched account of Artemisia's Gentileschi's fascinating life and art. While not at all hostile to feminist interpretations of the painter, chiefly Mary Garrard's, Bissell is refreshingly skeptical and respectfully critical of many of their key points. Bissell is a more traditional art historian than I myself prefer, but one can't find better art history than this. Despite the high price, I wholeheardtedly recommend this wonderful book to anyone interested in Artemisia Gentileschi's paintings and as a feminsit icon.
11 of 12 people found the following review helpful.
A tremendous accomplishment from Bissell, you must have this
By marc@flexware.com
I saw the pre published text and met with the author. Here is a fully comprehensive, wonderfully detailed, and beautifully created book that clearly reflects an exacting 'lifetime labor of love' from Ward Bissell. I heartily recommend this book to all scholars, educators, students, collectors, dealers and appreciators of art in general and Artemisia in particular. Bissell has given us the definitive word on Artemesia Gentileschi with his work.
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