Kamis, 31 Juli 2014

! PDF Download Artworks: Definition Meaning Value, by Robert Stecker

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Artworks: Definition Meaning Value, by Robert Stecker

What is art? What is it to understand a work of art? What is the value of art? Robert Stecker seeks to answer these central questions of aesthetics by placing them within the context of an ongoing debate criticising, but also explaining what can be learned from, alternative views. His unified philosophy of art, defined in terms of its evolving functions, is used to explain and to justify current interpretive practices and to motivate an investigation of artistic value. Stecker defines art (roughly) as an item that is an artwork at time if an only if it is one of the central art forms at and is intended to fulfill a function art has at, or it is an artifact that achieves excellence in fulfilling such a function. Further, he sees the standard of acceptability for interpretations of artworks to be relative to their aim. Finally, he tries to understand the value of artworks through an analysis of literature and the identification of the most important functions of literary works. In addition to offering original answers to major questions of aesthetics, Artworks covers most of the major issues in contemporary analytic aesthetics and discusses many major, as well as many minor, figures who have written about these issues, including Stanley Fish, Joseph Margolis, Richard Rorty and Richard Shusterman.

  • Sales Rank: #6371451 in Books
  • Published on: 1997-12-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, .9 pounds
  • Binding: Hardcover
  • 322 pages

Review
His book makes a valuable contribution to the ongoing debates and one can only admire Stecker's mastery of so many subtle points and arguments. --Stein Haugom Olsen, Philosophical Review

About the Author
Robert Stecker is Professor of Philosophy at Central Michigan University.

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Rabu, 30 Juli 2014

!! PDF Download Wilhelm Muller: The Poet of the Schubert Song Cycles: His Life and Works (The Penn State Series in German Literature), by Cecilia C. Bauma

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Wilhelm Muller: The Poet of the Schubert Song Cycles: His Life and Works (The Penn State Series in German Literature), by Cecilia C. Bauma

Considered a German Byron by his contemporaries, Johann Ludwig Wilhelm Muller (1794-1827) is usually remembered today as the German Romantic poet whose lyrics Franz Schubert set to music in Die schone Mullerin and Die Winterreise. A philhellene who wrote impassioned lyrics in support of the Greeks in their struggle for independence from the Turks, Muller also collected and edited Italian and modern Greek folk songs. Goethe very likely became acquainted with Marlowe's The Tragical History of Doctor Faustus through Muller's 1818 translation of that work.Muller was an influential critic and scholar of the Romantic Era, a creative public librarian and publisher's consultant (with the prestigious firm of F. A. Brockhaus in Leipzig), a respected teacher, and a popular author of travel books - all this despite his sudden and somewhat mysterious death at 32. The son of a guild tailor in the duchy of Anhalt-Dessau and a precocious and sometimes rebellious student, he nonetheless received lifelong aid from the ducal family, including a scholarship to the new University of Berlin. Muller left the University before completing his studies and spent two years as a volunteer in the Prussian Army fighting Napolean. During this time, he had an unhappy love affair in Brussels. At 26, Muller married into one of the leading Dessau families, and at 30 he was granted the title Hofrat.In this first comprehensive study of Muller, Dr. Baumann presents a lively and vivid profile of the poet, prose writer, translator, critic, editor, philhellene, and traveler whose life reflects the landscape of literary concern from the Romantic movement to Junges Deutschland. A complete bibliography of works by and about Muller is included. This work in the words of one reader should interest 'any person with a general concern for the complex interrelationship of cultural and socio-political forces and the contact of key persons in German-speaking culture with one another during the late 18th and early 19th centuries . . . as a veritable 'window' into the period of Goethe.'

  • Sales Rank: #5554007 in Books
  • Published on: 1981-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .53" w x 6.00" l,
  • Binding: Hardcover
  • 191 pages

About the Author
Cecilia C. Baumann is Director of the Oldenborg Center for Modern Languages and International Relations and associate professor of German at Pomona College. in 1979 she was a Senior Fullbright Fellow in West Germany, where she had collaborated on a book. She visited the Goethe-Schiller Archives in Weimar in 1971, when she was the first American scholar since World War II to visit the Dessau City Library in Muller's hometown. A graduate of Oberlin, she received her Ph.D. from Northwestern University after a year at the University of Munich as a Fullbright scholar.

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0 of 0 people found the following review helpful.
Very interesting. I bought this book because I was ...
By perdjc
Very interesting. I bought this book because I was so taken by the poems in Schubert's Winterreise. I wanted to learn more about the poet. I've just started reading the book, but was fascinated by all the rumors reported in the Preface. Now reading the biography section. I'm a little slowed down by the German, but should have expected that since I'm many years away from having studied it. In any case, am really enjoying this book.

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Multiplan is a spreadsheet software package that will run on a wide range of microcomputers including IBM micros, IBM compatible micros, the Amstrad range of microcomputers and the RM Nimbus and it is thus widely used in education and in business, particularly for setting up tables of financial summaries and forcasts. This text consists of a collection of tasks designed to introduce and guide the reader through the various commands and functions in Multiplan. The reader is also given a selection of revision exercises in which to practice the commands and functions learnt. Finally, various exercises are presented which provide more realistic examples of the wider applications of Multiplan. The text also includes diagrams of how the screen should look at particular times, so that the procedures can be checked.

  • Published on: 1989-02-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.65" h x .47" w x 7.36" l,
  • Binding: Paperback
  • 96 pages

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Selasa, 29 Juli 2014

!! Fee Download Confessions of a Medicine Man: An Essay in Popular Philosophy, by Alfred I. Tauber

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Confessions of a Medicine Man: An Essay in Popular Philosophy, by Alfred I. Tauber

"My mission is to analyze medicines ethical structure. I do so as both a physician and a philosopher. Of my two voices, it is the latter that is informed by the former.... As a physician I have sought professional solutions to the frustrations of fighting a medical system that has become increasingly hostile to my standards of care for my patients; as a philosopher I will explore here the ethical issues I believe are the root of our predicament." -- from the introduction.

In Confessions of a Medicine Man, Alfred Tauber probes the ethical structure of contemporary medicine in an argument accessible to lay readers, healthcare professionals, and ethicists alike. Through personal anecdote, historical narrative, and philosophical discussion, Tauber composes a moral portrait of the doctor-patient relationship. In a time when discussion has focused on market forces, he seeks to show how our basic conceptions of health, the body, and most fundamentally our very notion of selfhood frame our experience of illness. Arguing against an ethics based on a presumed autonomy, Tauber presents a relational ethic that must orient medical science and a voracious industry back to their primary moral responsibility: the empathetic response to the call of the ill.

  • Sales Rank: #1589316 in Books
  • Published on: 2000-02-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .50" w x 5.90" l, .55 pounds
  • Binding: Paperback
  • 179 pages

From Booklist
In this collection of essays on the state of the modern health care system, Tauber, a physician and a professor of philosophy and medicine at Boston University, presents an engaging study of ethics and the medical system. Modeling his book on the Confessions of St. Augustine, Tauber presents his own confessions in a similar way: narrative personal history plus ethical and philosophical discourse. Tauber clarifies both metaphysics and the intricacies of medicine for the lay reader, and he does so with vivid, terse imagery. His narratives are poignant and amazingly real. His philosophy is well grounded in excellent scholarship, his discussions of the philosophy and history of science prove fascinating, and his conclusions are indisputable. The state of our health care system, a need for universal health care, the fractured and imperfect mechanics of health maintenance organizations, patient rights laws, economics, spirituality, interpersonal relations, and many other medical ethics issues are discussed here with alacrity. A fascinating and approachable study on a subject that touches everyone's lives. Michael Spinella

From Kirkus Reviews
An intelligent and thorough philosophical analysis of the medical care morass, this does no less than clear away superficial and superfluous arguments, leaving a few essential issues and a direction for reform. Tauber, a philosopher as well as pro fessor of medicine (Boston Univ.) briefly catalogues the well-known ills of our health care system, and provides a cohesive overview of how we arrived at this point, interwoven with experiences from his own medical practice and family life. Three basic qu estions emerge: how do we regard ourselves when ill, what do we expect from the physician, and as a result, how and what professional ideal do we wish to instill in health care providers to make medical practice more humane and compassionate? In a society that so prizes individual autonomy, Tauber makes it clear that we have to accept that being ill means immediately losing such self-sufficiency and self-direction, given todays setting of highly technical and obscure clinical science.'' If we acknowledge that the doctor-patient relationship is a fundamentally unequal one (and one with no parallel in the business world), then we can turn our attention to how best to prepare practitioners who adhere to a moral obligation to restore health (and thus autonomy ). Not only should we not look to the business world for help in structuring medical care, but Tauber also takes issue with using science as the single basis for clinical care. Distinguish between scientific and caring missions, he suggests, since laborat ory-based medicine addresses only what Tauber calls the ``materialistic'' aspects of disease (those which can be physically or chemically measured). Tauber succeeds in his effort to step back, begin again at the philosophical beginning, and cast a new lig ht on the tangle of medical care. Involved professionals and the general readership alike will benefit. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

Review

An intelligent and thorough philosophical analysis of the medical care morass, this does no less than clear away superficial and superfluous arguments, leaving a few essential issues and a direction for reform.

(Kirkus Reviews)

"Tauber's is a welcomed voice, almost a lyrical cry in the wilderness (as Santayana might have said) for a genuine, caring approach to understanding the physician-patient relationship."

(Herman J. Saatkamp Jr., Department of Philosophy, Texas A&M University)

Tauber looks deep into the relationship between physician and patient. A wise, humane and important work.

(Jonathan Cole, Department of Clinical Neurological Sciences, University of Southampton)

Most helpful customer reviews

8 of 8 people found the following review helpful.
MEDICAL ETHICS FOR THE TWENTY-FIRSTCENTURY
By A Customer
Here is a short, resonant book on a topic that concerns us all: medical ethics.
Alfred I. Tauber is a biochemist and an M.D. (medical doctor). He is also a professor of medicine and a professor of philosophy at Boston University.
Tauber provides us with hard-to-get knowledge: (1) a thoughtful historical overview of the development of twentieth century medicine (1880 to the end of the 1990s), with particular focus on the doctor-patient relationship; and (2) a philosophically sophisticated analytical scheme that enables the reader to assess current developments (crudely: How is my HMO or managed care plan doing?).
Although Tauber subtitles his book "An Essay in Popular Philosophy," the word "popular" is somewhat misleading. The reader entirely innocent of twentieth-century Anlgo-American analyic philosophy as well as of its differences from Continental (European) philosophy, may intially have a bit of hard time following the argument.
Nevertheless, CONFESSIONS OF A MEDICINE MAN is the right book at the right time. Deeply philosophical and factually up-to-the-minute, it provides the compass we need to understand the real causes of the "crisis in medical care" that most average Americans face. For example, Tauber gives an extended--and brilliant--critique of one of those causes: the total acceptance of the idea of the "autonomous self" within the context of the doctor-patient relationship.
For the interested reader, Tauber provides a valuable (& wonderfully readable) section called "Bibliographic Notes." Here the reader can trace out the origins of Tauber's thinking on the key topics covered in the book: changes in American medicine over the past 120 years; the various concepts of "self" that doctors and HMOs adopt and how these varous concepts directly affect the patient's relationship with her doctor; the whole notion of "medical ethics" itself and what its various interpretations may mean to the patient and her family (one of Tauber fresh observations: "medical ethics" is fast becoming a specialty, just like surgery or gastroenterology--and that is just the direction we do NOT want to go).
A serious, needed book, one that challenges American medicine's dangerous and unacknowledged assumptions about exactly who the doctor is and who the patient is. Bravo!

0 of 0 people found the following review helpful.
Reconfiguring science and humanism in medicine
By Jon G. Allen
Many decry the dehumanization of medicine, which doubtlessly has many causes but prominently includes the escalating encroachment of science and technology at the expense of the doctor-patient relationship. No one doubts the profound benefit of science and technology to medical practice, but Tauber aims to turn the tide in advocating that the ethic of the doctor-patient relationship should remain the core of medicine. He puts science in its proper place: science plus an instrumental role in the ethic of a healing relationship. The brilliance of this book goes beyond its sound philosophy; through a series of poignant clinical vignettes, the reader comes to know the author as a physician and a person. Here we have a model of humanism in medicine that all of us patients might wish could be brought back into the fore. Here is a writer who practices what he preaches.

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Senin, 28 Juli 2014

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Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media.

These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Krauss resists that claim, for these "bachelors" are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the "part object" (Louise Bourgeois) or the "formless" (Cindy Sherman) could be said to find its power in strategies associated with such concepts as écriture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. Bachelors attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand.

  • Sales Rank: #1285300 in Books
  • Published on: 2000-08-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 7.00" l, 1.10 pounds
  • Binding: Paperback
  • 228 pages

From Library Journal
The esteemed Krauss (art, Columbia) is prominent in the field of deconstructionist, feminist, and psychoanalytical art criticism. This collection of her essays applies the theories to nine women artists, neo-Duchampian "bachelors" who mostly practiced photography, sculpture, and some filmmaking and painting. The artists distinguished by this complex rhetorical discourse include Claude Cahun, Dora Maar, Louise Bourgeois, Agnes Martin, Eva Hesse, Cindy Sherman, Francesca Woodman, Sherrie Levine, and Louise Lawler. Krauss demonstrates how each achieved the "feminization" of the male gaze. Although the formal notation of semiological analysis is clarified in an endnote, from the beginning Krauss assumes her readers to be totally conversant with and attuned to the scholasticism of postmodern art theory. Appropriate mainly for graduate- and professional-level collections.?Mary Hamel-Schwulst, Towson Univ., MD
Copyright 1999 Reed Business Information, Inc.

Review

[S]timulating, difficult, and often dazzling... Bachelors is a smart and often profound book that makes avaluable contribution to the gendered field it abhors.

(Carol Zemel Women's Review of Books)

Rosalind Krauss's Bachelors is a brilliant and provacative account of the achievement of some of the major women artists of out time. Original both in its theoretical iconoclasm and its meticulous visual analyses, it provides feminists scholarship with new angles of vision and art history more generally with an invaluable critical resource.

(Linda Nochlin, Wallace Professor of Modern Art, Institutue of Fine Arts, New York University)

About the Author
Rosalind E. Krauss is University Professor in the Department of Art History at Columbia University, where, from 1995 to 2006, she held the Meyer Schapiro Chair in Modern Art and Theory. She is a founding editor of October and the author of Passages in Modern Sculpture, The Originality of the Avant-Garde and Other Myths, The Optical Unconscious, Bachelors, Perpetual Inventory, Under Blue Cup (all published by the MIT Press), and other books.

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36 of 44 people found the following review helpful.
Fairly unconvinced
By A Customer
I haven't read all of the essays in this book. I might not want to. I think I've read five of the eight and parts of two others. Overall, I have not been particularly impressed. My introduction to Krauss came in an essay she authored on James Coleman, which I read for a class in college. It was particularly sophisticated: employing ideas from Barthes and Benjamin, she touched on ideas about obsolesence and signifiers that fail to signify, and in doing so brought a fresh perspective to an artist I never understood. In short, Krauss took difficult art and made sense of it. Unfortunately, in this book, Krauss takes on the foundation of the feminist canon but refuses to do feminist readings of their work. In fact, she attempts to perform an overhaul not just of critical appreciation of Cindy Sherman, Sherrie Levine, Claude Cahun, etc., but attempts to dismantle feminist theory altogether. In the very weak essay on Cindy Sherman, Krauss overlooks obvious feminist elements of Sherman's imagery (how they mimic the form of the pornographic centerfold, for example) with some talk about the "fetishization of the vertical" and the "sublimation of the subject into the horizontal." Worse, she tries to undo Laura Mulvey's seminal essay on film theory by pointing out a few assumption's Mulvey makes. Krauss never fesses up to her own assumptions. It's not persuasive art criticism.
Basically, Krauss's method is always to locate in the art some formal element which can then be tied to a critical theoretical term. Thus, the horizontal is a rejection of "the fetishization of the vertical"; Sherrie Levine putting single objects in glass cases is an enactment of Deleuze's "machine". Krauss reveals how artists thematize critical theory rather than perform critical readings of the work. Thus, important artists for her are those who anticipate theoretical developments. Frankly, I think Krauss is attributing meaning to formal elements which do not inhere to the element itself. And how many times can an art critic point to multiplicity and a destabilizing of identity as "avante-garde" and subversive?

3 of 14 people found the following review helpful.
Corpus Crapus
By Gaymer
Rosalind Krauss' theories have some merits, and if you are looking at a book that will drive you up the wall the entire time shouting at it-- read this. I would never allow my grad students to read this dribble.

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Minggu, 27 Juli 2014

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  • Sales Rank: #4329660 in Books
  • Published on: 1973-11-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .81" w x 6.00" l, .10 pounds
  • Binding: Hardcover
  • 401 pages

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  • Sales Rank: #6632243 in Books
  • Published on: 2012-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.57" h x .47" w x 3.98" l, .0 pounds
  • Binding: Paperback
  • 1 pages

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This work analyzes the past and present condition of Latinos in metropolitan New York. Focusing on Puerto Ricans, it also covers the newer Latino migrant groups in New York such as the Dominicans, Cubans, Mexicans, Colombians, Ecuadorians, and Peruvians.

  • Sales Rank: #1765298 in Books
  • Published on: 1997-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, 1.24 pounds
  • Binding: Paperback
  • 400 pages

From the Back Cover
Since the 1980s a number of important books have been published that focus on issues affecting Hispanics throughout the United States. None until now, however, have focused solely on the New York Latino experience. The 12 essays collected in Latinos in New York comprise the first book-length analysis of the past and present condition of Latinos in metropolitan New York. Focusing on Puerto Ricans, these essays also contains the most up-to-date thinking on the newer Latino migrant groups in New York such as the Dominicans, Cubans, Mexicans, Colombians, Ecuadoreans, and Peruvians. Not only do the contributors emphasize the specificity of the New York Latino experience, they also suggest the generalization of many of their findings and policy recommendations at the national level. Latinos in New York will be used as a text for courses in ethnic studies, sociology, political science, anthropology, and indeed any class that deals with minorities in urban America. While the book emphasizes what is unique about the Latino experience in New York, the authors also intend that the essays will be of relevance to general readers interested in Latino issues, policy analysts, and students of the Latino experience throughout the United States.

About the Author
Haslip-Viera is associate professor of sociology at the City College of the City University of New York.

SHERRIE L. BAVER is Assistant Professor and Chair of the Department of Latin American and Caribbean Studies at the City College, City University of New York.

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0 of 0 people found the following review helpful.
Still a good book. Some of the chapters focus on issues ...
By An interested customer
Still a good book. Some of the chapters focus on issues that are still relevant today. The introductory historical summary is still very useful. A new updated second edition should be published.

0 of 0 people found the following review helpful.
Book required for my class
By G.M. Laudanno
The book was a great reference for my college course. Although it was an older publication, it still served its purpose.

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War Heroes: True Stories of Congressional Medal of Honor Recipients, by Kent DeLong

In this extraordinary book, 15 recipients of the Congressional Medal of Honor tell the stories of the actions for which they received their awards. The stories themselves present true examples of valor, courage, and sacrifice. More than stories, however, they recount moments of significance in the life of our country.

The Congressional Medal of Honor is the highest award given to American servicemen for valor in battle. Only slightly more than 200 recipients of the Medal of Honor are alive today. In this extraordinary book, 15 recipients tell the stories of the actions for which they received their awards. Heroes from the Marines, the Army, the Navy, and the Air Force recount their stories of action in World War II, Korea, and Vietnam. Together, their stories present a definition of heroism in battle. Individually, they are fifteen profiles of the Hero.

The stories, based on interviews with the recipients and written by Kent DeLong, the attending physician of the Congressional Medal of Honor Society, are well-told and exciting. They present true examples of valor, courage, and sacrifice. But they are more than just stories. They are the oral history of significant moments in the life of our country.

  • Sales Rank: #1616650 in Books
  • Published on: 1993-07-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.52" h x .92" w x 5.86" l, .99 pounds
  • Binding: Hardcover
  • 224 pages

Review
"This book is truly an accurate account of the deeds of war heroes, those special individuals who have performed so courageously on the battlefield."-General William C. Westmoreland

"This book honors the men of our country who truly deserve the recognition of helping to make our nation free; men who were willing to sacrifice their own lives, many in the early years of their manhood, for the ideals of freedom. This book tells the exciting and incredible true stories of some of these great men who are the recipients of the Congressional Medal of Honor--the highest award given to American servicemen for valor in battle."-J. Elliott Williams, President Congressional Medal of Honor Society

From the Back Cover
The Congressional Medal of Honor is the highest award given to American servicemen for valor in battle. Only slightly more than two hundred recipients of the Medal of Honor are alive today. In this extraordinary book, fifteen recipients tell the stories of the actions for which they received their awards. Heroes from the Marines, the Army, the Navy, and the Air Force recount their stories of action in World War II, Korea, and Vietnam. Together, their stories present a definition of heroism in battle. Individually, they are fifteen profiles of the Hero. The stories, based on interviews with the recipients and written by Kent DeLong, the attending physician of the Congressional Medal of Honor Society, are well-told and exciting. They present true examples of valor, courage, and sacrifice. But they are more than just stories. They are the oral history of significant moments in the life of our country.

About the Author

KENT DELONG is the attending physician of the Congressional Medal of Honor Society. He has a private medical practice in internal medicine with an emphasis in preventive and addictive medicine. He is a member of the board of DeLong International Inc., and has published numerous articles on commodities, addiction, and military history.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
my father wrote this book

2 of 2 people found the following review helpful.
Amazing stories
By Robert
If you have an interest in history, and most especially these amazing men who put so much on the line for thier friends and country. This is the book for you.
Facinating detailed stories of what these men did to recieve thier awards.
I just wish we in this country were a little more careful about how we use the word hero. Because after you read this book, it will be hard to think of a basketball player, or movie star as hero.
A fun read

1 of 1 people found the following review helpful.
Ballad of Rodger Young
By hawkeye
Caught in ambush lay a company of riflemen
just grenades against machine guns in the gloom
caught in ambush, too, this one of 20 riflemen
volunteered, volunteered to meet his doom.

Volunteered, Rodger Young
fought and died for the men he marched among
in the everlasting glory of the Infantry
lives the courage of Private Rodger Young

It was he who drew the fire of the enemy
that his company of men might live to fight
so to draw the deadly fire of the enemy
stood the man, stood the man we hail tonight

But they've got no time for glory in the Infantry
no, they've got no use for praises loudly sung
but in every soldier's heart in all the Infantry
shines the name, shines the name of Rodger Young.
--- Frank Loesser

See all 7 customer reviews...

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Minggu, 20 Juli 2014

>> Free PDF The Myth of the Paperless Office (MIT Press), by Abigail J. Sellen, Richard H. R. Harper

Free PDF The Myth of the Paperless Office (MIT Press), by Abigail J. Sellen, Richard H. R. Harper

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The Myth of the Paperless Office (MIT Press), by Abigail J. Sellen, Richard H. R. Harper

The Myth of the Paperless Office (MIT Press), by Abigail J. Sellen, Richard H. R. Harper



The Myth of the Paperless Office (MIT Press), by Abigail J. Sellen, Richard H. R. Harper

Free PDF The Myth of the Paperless Office (MIT Press), by Abigail J. Sellen, Richard H. R. Harper

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The Myth of the Paperless Office (MIT Press), by Abigail J. Sellen, Richard H. R. Harper

Over the past thirty years, many people have proclaimed the imminent arrival of the paperless office. Yet even the World Wide Web, which allows almost any computer to read and display another computer's documents, has increased the amount of printing done. The use of e-mail in an organization causes an average 40 percent increase in paper consumption. In The Myth of the Paperless Office, Abigail Sellen and Richard Harper use the study of paper as a way to understand the work that people do and the reasons they do it the way they do. Using the tools of ethnography and cognitive psychology, they look at paper use from the level of the individual up to that of organizational culture.

Central to Sellen and Harper's investigation is the concept of "affordances" -- the activities that an object allows, or affords. The physical properties of paper (its being thin, light, porous, opaque, and flexible) afford the human actions of grasping, carrying, folding, writing, and so on. The concept of affordance allows them to compare the affordances of paper with those of existing digital devices. They can then ask what kinds of devices or systems would make new kinds of activities possible or better support current activities. The authors argue that paper will continue to play an important role in office life. Rather than pursue the ideal of the paperless office, we should work toward a future in which paper and electronic document tools work in concert and organizational processes make optimal use of both.

  • Sales Rank: #1016180 in Books
  • Published on: 2003-02-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, .74 pounds
  • Binding: Paperback
  • 245 pages

Review

If you wish to read anything at all on office management, read this book.

(Guardian UK)

The authors approach their subject with academic rigour, observing real organisations to find out how people like to work.

(Financial Times)

The case for paper is made most eloquently in The Myth of the Paperless Office...

(Malcolm Gladwell The New Yorker)

About the Author

Abigail J. Sellen is a cognitive psychologist at Hewlett-Packard Laboratories in Bristol, UK.

Most helpful customer reviews

14 of 17 people found the following review helpful.
Interesting but outdated
By Robert Dubose
What a difference 8 years makes.

In 2002 it looked as though the authors were correct: the paperless office had been a myth. Technology had increased paper usage rather than decreased it. Many office workers still preferred to read and work on paper rather than screens.

But about the time this book was published, the "myth" started to become true. Per-capita paper usage in offices started to decline. In my experience, most office workers have switched from paper-reading to screen-reading in the last six years. And they have switched to screens for many of the tasks that the authors argued are better suited to paper reading. The difference is new technology. For instance, the authors argue that knowledge workers prefer to review, work, and collaborate on paper documents. As a lawyer, I found that argument to be true in 2002 when text-based programs did not include useful tools for collaboration. But developments since 2002 in programs such as MS Word and Adobe Acrobat have made it much easier to do tasks such as collaborative editing on a screen instead of paper.

Selen and Harper's argument does remain relevant and thought-provoking in one important respect. They explain the unique functionalities of paper to argue why paper is better for certain tasks. In the last 8 years, some technologies have been started to compete with the functionalities of paper. But some tasks remains more useful than screens for some tasks. Selen and Harper's arguments at least give us the analytical tools to think about whether certain tasks are better suited to paper or computers today.

This book was ground breaking in 2002. As a lover of paper, books, and libraries, I wish Selen and Harper had been right. I would be interested to see an updated edition that addresses the usage of paper today. But as technology has advanced, the argument of the current edition has become outdated.

19 of 23 people found the following review helpful.
In praise of paper?
By Harald Groven
There are copious amounts of research on how people interact with computers or machines. However, there is very little research on all the hidden features of paper. "The Myth of the Paperless Office" brings attention to how office workers actually organize their information needs. In many ways, it's probably a pioneering work in computer usability, even though it doesn't specifically deal with computers, but rather anthropological research on the use of paper in organisations.
This book can be very useful for anyone. Especially for designers of computer systems that wonder why people still stick to yellow labels and printouts, even its technically "inefficient", compared to a digital solution. Its also recommended reading for bosses that plan to implement a "clean desk policy", or employees that are wondering how to get around clutter on their desks.
For an excellent review of the book, read the article "In praise of clutter" from The Economist Magazine (Dec 19th 2002)

2 of 2 people found the following review helpful.
Paper is Still Useful in the Paper-Less Office
By J. Michael Casey
I bought this book from Amazon in 2005, and would recommend it to anyone with a professional or personal interest in the ways people use paper and other types of information display surfaces. It continues to provide a valuable perspective on the uses of paper in the workplace and personal life. I especially appreciate the authors' approach to studying the way office workers (in their case studies) were interacting with paper documents, in ways that were not readily supported by available computers, screens and software.

As another excellent reviewer said, in 2010: "What a difference 8 years makes. ... Selen and Harper's argument does remain relevant and thought-provoking in one important respect. They explain the unique functionalities of paper to argue why paper is better for certain tasks. In the last 8 years, some technologies have started to compete with the functionalities of paper. But [paper] remains more useful than screens for some tasks. Selen and Harper's arguments at least give us the analytical tools to think about whether certain tasks are better suited to paper or computers today."

Today, more than a dozen years since the book was published, many office workers have had computers since childhood.
• Some have very large screens, and some use two or three screens at a time.
• Some office workers (and many travelers) get by with a tablet or smartphone, for many tasks – including reading books as well as email.
• People are indeed using computers more, and printing paper less.
• So we could call it the “paper-less” office …

However, paper still provides useful functionality, e.g., for certain research or editing tasks: when you want to flip back and forth quickly between two pages in different parts of a long document; or when multiple documents need to be viewed in parallel on a larger surface; or when one needs to consult several source documents and notes, while writing or entering data into a new document.
• We can't all perform those tasks efficiently on a smartphone!
• We might need more than two monitors, for some tasks.
• And some of us still prefer the feel of a crisp paper document or handwritten letter, with a "wet ink" signature ...

Today, the final "office work" product is almost always a digital document – unless it needs to be filed in court, or delivered to someone who doesn’t have email.
• After the work is finished, the convenience copies and work papers can usually be shredded.
• Increasingly, paper documents are scanned on receipt -- and saved as electronic documents for improved accessibility, sharing, collaboration, business process workflow, or business continuity.
• Overall, the need for keeping paper records -- and sending them to offsite storage for long-term retention -- is decreasing.
• And the need to retrieve the paper from storage has declined dramatically in recent years -- except when the electronic copies are lost, damaged or disputed.

It is worth noting that human-readable paper records can prove more durable than electronic documents, which may become inaccessible after a few years for a number of technological and behavioral reasons.
• To remain available and readable, electronic documents must be periodically migrated to new media (e.g., every 5 to 10 years)
• The electronic document format also matters: saved documents may become unreadable over time, unless stable format standards are used (such as PDF/A)
• Storage of paper documents may be necessary or advisable, when a person or organization needs to retain (and retrieve) important records over a time horizon measured in decades.

Paper is not dead. It's just resting!

• Unlike that Monty Python parrot ...
• And we're still not sure about Schrodinger's cat ...

If you were able to read all of this review without getting bored and moving on, you should definitely read the book!
• As a bonus, I guarantee that you will learn one new word!

See all 7 customer reviews...

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