Okoacester: 2015

Kamis, 31 Desember 2015

## Ebook Download Some Even Volunteered: The First Wolfhounds Pacify Vietnam, by Alfred S. Bradford

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I was hooked by the unusual style and, moreso, by the unusual approach to the familiar material . . . Articulate, sensitive, and intelligent . . . an unusually readable and persuasive narrative. Robert W. Lewis North Dakota Quarterly

When in 1968 an American rifle battalion known as the First Wolfhounds landed near Dau Tieng, a rest area controlled by the North Vietnamese Army, they expected to interdict the NVA supply line there within three days. Instead, the soldiers found a prohibitive network of NVA troops, headquarters, hospitals, supplies, and local support for the NVA. It seemed impossible, even for the Wolfhounds, famed for their numbers and fighting strength. In the vivid prose of a mission survivor, Some Even Volunteered chronicles these brave soldiers' daily, deadly contact with the NVA, their attempts to win the villagers' trust, and how they struggled to accept and survive their circumstances. Eight months later, the Wolfhounds succeeded--destroying, in the process, an NVA unit of their own size. Alfred Bradford's sardonic voice is compelling. This narrative is witty, sometimes hilarious, and always captivating. Bradford--now a history professor--also provides one of the most insightful discussions ever written of Vietnam's assumed position in military history.

Some Even Volunteered provides a marvelous description and a succinct evaluation of the life and the achievement of the American soldier in Vietnam trying to win the hearts and minds of the Vietnamese. In a style reminiscent of Michael Herr in Dispatches but still distinctly his own, Bradford relates the story of the First Battalion of the 27th Infantry Regiment (First Wolfhounds) of the 25th Infantry Division as they pacified the district of Tri Tam. The First Battalion--which had the highest body count of any rifle battalion in Vietnam--was air-lifted into an NVA rest area south of Dau Tieng (IIId Brigade basecamp) in the district of Tri Tam on 24 October 1968. They had been ordered to interdict the NVA supply line that stretched from the Ho Chi Minh trail in Cambodia through Dau Tieng to Saigon. They were expected to complete their mission in three days, but they uncovered such an extensive network of headquarters, hospitals, supply, troop concentrations and local support that the mission was extended to a week, then to a month, and finally, to eight months.

Eight months later, the Wolfhounds had succeeded. Their fire support base was assaulted three times, their Brigade base twice. They established four independent forts, ran missions throughout the Third Brigade Area of Operations, and accepted the surrender of dozens of Viet Cong and NVA. In effect, they had destroyed an NVA unit of their own size. In vivid, staccato prose, Bradford delivers a first-rate narrative. In addition, the last chapter, entitled, The Will of the People, provides the reader with one of the best discussions ever written of Vietnam's assumed position in military history.

Sales Rank: #2188841 in Books
Published on: 1994-10-30
Original language: English
Number of items: 1
Dimensions: 9.21" h x .50" w x 6.14" l, .97 pounds
Binding: Hardcover
192 pages

Review
"In this first-hand account of the operation of the First Battalion of the 27th Infantry, Bradford weaves the tale of the First Wolfhounds as they sought to pacify the Tri Tam district in South Vietnam. General readers through faculty."-Choice

?In this first-hand account of the operation of the First Battalion of the 27th Infantry, Bradford weaves the tale of the First Wolfhounds as they sought to pacify the Tri Tam district in South Vietnam. General readers through faculty.?-Choice

"I was hooked by the unusual style and, moreso, by the unusual approach to the familiar material . . . Articulate, sensitive, and intelligent . . . an unusually readable and persuasive narrative."-Robert W. Lewis North Dakota Quarterly

From the Back Cover
Some Even Volunteered provides a marvelous description and a succinct evaluation of the life and the achievement of the American soldier in Vietnam trying to "win the hearts and minds" of the Vietnamese. In a style reminiscent of Michael Herr in Dispatches but still distinctly his own, Bradford relates the story of the First Battalion of the Twenty-Seventh Infantry Regiment (First Wolfhounds) of the 25th Infantry Division as they pacified the district of Tri Tam. The First Battalion - which had the highest body count of any rifle battalion in Vietnam - was air-lifted into an NVA rest area south of Dau Tieng (IIId Brigade basecamp) in the district of Tri Tam on 24 October 1968. They had been ordered to interdict the NVA supply line which stretched from the Ho Chi Minh trail in Cambodia through Dau Tieng to Saigon. They were expected to complete their mission in three days, but they uncovered such an extensive network of headquarters, hospitals, supply, troop concentrations and local support that the mission was extended to a week, then to a month, and finally, to eight months. Eight months later, the Wolfhounds had succeeded. Their fire support base was assaulted three times, their Brigade base twice. They established four independent forts, ran missions throughout the Third Brigade Area of Operations, and accepted the surrender of dozens of Viet Cong and NVA. In effect, they had destroyed an NVA unit of their own size. In vivid, staccato prose, Bradford delivers a first-rate narrative. In addition, the last chapter, entitled, "The Will of the People", provides the reader with one of the best discussions ever written of Vietnam's assumed position in military history.

About the Author

ALFRED S. BRADFORD is John Saxon Professor of Ancient History at the University of Oklahoma. He earned his Ph.D. in classical languages and literatures from the University of Chicago. He served with 1/27th Infantry (Wolfhounds) of the 25th Infantry Division in Vietnam, September 1968 to August 1969. He was awarded the Bronze Star, Air Medal, and Purple Heart. He is the author of Philip II of Macedon: A Life from the Ancient Sources (Praeger, 1992).

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7 of 7 people found the following review helpful.
Excellent overview of the one year "tour of duty"
By David R
An easily read summary of the author's experience in Vietnam. (I found it of interest as a veteran of the 25th Div. at the same time-several friends who arrived in country with me were assigned to the Wolfhounds). Mr. Bradford shows us the Vietnam War from the perspective of a young Civic Action Officer trained to "win the hearts and minds" of the civilian population. Through narratives of his own experience and those of others the reader is presented a view of the futility and mismanagement of that war while also describing the lives and experiences of the individual combat soldier and the Wolfhounds. Sometimes the dialoque was difficult to follow; ie., it wasn't always clear when the author was speaking in the first person and when another individual was speaking. However, once the reader picked up on the author's writing style the narrative made for fast reading. In the book's last section "What was it all about" the author brings the lessons of the Vietnam War clearly into perspective. I heartily agree with his statement that we should "not... confuse America with the politicians elected to administer America..." I would recommend this book to my children who have asked, "what was the Vietnam war like?"

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Minggu, 27 Desember 2015

~~ Ebook Download First Person: New Media as Story, Performance, and Game (MIT Press)From The MIT Press

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Electronic games have established a huge international market, significantly outselling non-digital games; people spend more money on The Sims than on "Monopoly" or even on "Magic: the Gathering." Yet it is widely believed that the market for electronic literature -- predicted by some to be the future of the written word -- languishes. Even bestselling author Stephen King achieved disappointing results with his online publication of "Riding the Bullet" and "The Plant."

Isn't it possible, though, that many hugely successful computer games -- those that depend on or at least utilize storytelling conventions of narrative, character, and theme -- can be seen as examples of electronic literature? And isn't it likely that the truly significant new forms of electronic literature will prove to be (like games) so deeply interactive and procedural that it would be impossible to present them as paper-like "e-books"? The editors of First Person have gathered a remarkably diverse group of new media theorists and practitioners to consider the relationship between "story" and "game," as well as the new kinds of artistic creation (literary, performative, playful) that have become possible in the digital environment.

This landmark collection is organized as a series of discussions among creators and theorists; each section includes three presentations, with each presentation followed by two responses. Topics considered range from "Cyberdrama" to "Ludology" (the study of games), to "The Pixel/The Line" to "Beyond Chat." The conversational structure inspired contributors to revise, update, and expand their presentations as they prepared them for the book, and the panel discussions have overflowed into a First Person web site (created in conjunction with the online journal Electronic Book Review).

Sales Rank: #205847 in Books
Published on: 2006-03-03
Original language: English
Number of items: 1
Dimensions: 9.00" h x .50" w x 8.00" l, 1.24 pounds
Binding: Paperback
352 pages

Review

First Person makes an invaluable contribution to the current discussion surrounding new media narratives, computer games, and the performative ties that bind them. The anthology brings together major players in the field who discuss their ideas in the appropriately open-ended format of statements and responses, all of which shed light on the aesthetic and social implications of our new experiences of stories.

(Christiane Paul, Adjunct Curator of New Media Arts, Whitney Museum of American Art)

You have entered the rotunda of a gleaming, new conference center. Above you hangs a banner: 'Welcome to First Person.' In front of you, you see doors leading into separate conference rooms, each of which is marked with a sign in large, Futura Bold letters: 'Cyberdrama,' 'Ludology,' 'Simulation,' 'Hypertext and Interactives,' and so on. You soon discover that every room in this virtual conference called First Person is filled with informed discussion and lively controversy from major figures in the emerging field of Game Studies. Some are arguing that digital games (as the heirs of the novel and of film) constitute the next great arena for storytelling; others respond that games are not narratives at all and require a different theoretical framework and a new discipline. Still others are describing their own exciting contributions to interactive fiction, poetry, or visual/verbal art. By the time you return from this virtual tour of the world of Game Studies, you realize that all of these rooms (and all these topics) are connected in an intricate and compelling architecture of ideas. You begin to understand the rich possibilities that computer games offer...as drama, narrative, and simulation. You come to appreciate the great theoretical task that lies before us in exploring both the formal properties and the cultural significance of computer games.

(Jay David Bolter, Wesley Professor of New Media, Georgia Institute of Technology)

About the Author

Pat Harrigan is a freelance writer and author of the novel Lost Clusters. He is also the co-editor, with Noah Wardrip-Fruin, of First Person: New Media as Story, Performance, and Game (2004) and Third Person: Authoring and Exploring Vast Narratives (2007), both published by the MIT Press.

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0 of 2 people found the following review helpful.
Took a while to ship.
By Wesley A Newman
I purchased this book for an upcoming assignment for a lit class and it didn't arrive until after the due date of the assignment.

16 of 17 people found the following review helpful.
A web project in book form
By Michael J. Tresca
I'm always wary of collections of essays, if only because the quality of writing can be so uneven. First Person takes the many dissonant voices of its collected authors and goes one step further, allowing them to disagree with each other in a running commentary along the bottom of each page.

First Person starts out very promising, beginning with Janet Murray on cyberdrama and Espen Aarseth's ergodic literature. The lovefest is interrupted by Markku Eskelinen who, contrasting the earlier authors, seems particularly cranky about the whole field. Eskelinen then becomes the nemesis for much of the rest of the book as different authors obliquely and directly take him on. If there's one consistent theme throughout First Person, it's that there's a lot of passive-aggressive hostility between scholars.

Unfortunately, First Person suffers from several problems. Some of the academics use jargon that only other game scholars would understand. On display in First Person is a battle of survival for the various authors, who are attempting to invent new words to describe what may or may not be a new medium. As a result, each essay disagrees with the next on how to describe key concepts. This makes reading First Person a challenge. Some authors seem dead-set on not being comprehensible except by other experts in their field, which makes their inclusion painful to read.

The responses, which could provide a really interesting point and counterpoint, are often snide brush-offs that amount to, "that's not what I said," or "we agree." That's nice, but it doesn't make for compelling reading and certainly doesn't justify the space these counterpoints take up in the book. I found the division between lower and upper portions of the book difficult to follow.

The essays vary in their relevance and scholarship. Sack's discussion of large-scale conversations is prescient of social networks; Vesna and Juul's discussion of game time are revelatory in how we approach any form of fun; Montfort's discussion of interactive fiction neatly sums up the entire gaming medium. Other essays read like published dissertations. And some essays, like Walker's review of Online Caroline, are entertaining but contribute little to game theory.

In short, First Person is promising but wildly uneven. It feels like a web project that should have stayed online.

15 of 21 people found the following review helpful.
Drama and New Media Forms
By Kim Flintoff
What has particularly excited me is the opening chapter on "Cyberdrama"... it discusses approaches to story, game play and engagement in terms that echo what we are trying to achieve in Drama education. Throughout the book (and this is from preliminary browsing) there are discussions about narrative and simulation and disticntions being drawn bewteen perceptual positions of players ... the writers that have contributed to this book have a very clear sense of the notion of "role" and I am starting to think that this book may well serve as the basis for investigation into the role of technology in Drama ( and possibly other) education for the next few years. Other promising looking chapters include such discussions as "Moving Through Me as I move: A Paradigm for Interaction", "Unusual Positions: Embodied Interactions in Symbolic Spaces", "Narrative, Interactivity, Play and Games: Four Naughty Concepts in Need of Discipline", " Videogames of the Oppressed: Critical Thinking, Education, Tolerance and other Trivial Issues", "A Preliminary Poetics for Interactive Drama and Games"

The authors contributing to this book are well known to anyone who's started looking into Drama and technology - Janet Murray , Espen Aarseth and Brenda Laurel are all there, alongside more familiar "drama' voices such as Richard Schechner...

As a high school drama teacher, I have a keen interest in new media applications in Drama education - it seems that many of our number are still focussed totally on their Drama classrooms and while they have an interest in technology are not actually making much headway with developing knowledge in the area - this retards developing discussions when there isn't a common language and some basic concepts upon which to build our discussions and investigations...

I think this book "First Person" is probably as good a starting point as is available at the moment. It provides a broad overview of the scope of "new media" interactions and there is definitely what I would call a "drama sensibility" contained within it.

The other book I've just started looking into is Marie-Laure Ryan's "Narrative as Virtual Reality"

Narrative As Virtual Reality: Immersion and Interactivity in Literature and Electronic Media

What looks promising here is Chapter Nine: "Participatory Interactivity from Life Situations to Drama". I've yet to properly digest the chapter - I've been intrigued by some of the statements I've encountered, for instance "For interactivity to be reconciled with immersion, it must be stripped of any self-reflexive dimension"... I'm not sure that is exactly what we are trying to do with Drama (or any form of) education - we are generally trying to become aware of the symbolic forms we are engaging with... although in a Stanislavskian sense, it might just be that this ne dimension of building belief is somehow well placed in Drama... I tend to think the Brechtian requirement for distance might be better suited... but that can be a discussion for another day... for the time being we need to start to come to grips with some key concepts in the new paradigm we have the opportunity to define...

Once again... as Drama people we know the need for social constructivist approaches... I'm hoping we can live that rather than just posit it....

We are trying to establish a special interest group called DramaPlayShop.org... you're welcome to drop in!

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Sabtu, 26 Desember 2015

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Step-by-step instructions for making soft toy and puppet characters that are introduced in a short story at the beginning of the book.

Sales Rank: #13350990 in Books
Brand: Brand: Mills Boon
Published on: 1974-06-21
Format: Large Print
Original language: English
Number of items: 1
Binding: Hardcover
80 pages

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This book explores the interrelationship between the option and experience of motherhood and the experience of mental breakdown as vividly communicated by 20th-century women writers. The focus is on three writers- Sylvia Plath, Marie Cardinal, and Margaret Atwood- but others are included, such as Maxine Hong Kingston, Anne Sexton, Virginia Woolf, and Emma Santos.Maternity, Mortality, and the Literature of Madness calls attention to the ways in which maternity and motherhood represent common forms of apprehension for all women, reactivating the fear of death that has been discovered and repressed in childhood, and, in some instances, contributing directly to mental breakdown. It offers evidence of the particular stresses encountered by highly gifted women who try to negotiate their way between creation and procreation and 'write their way out' of madness.

Sales Rank: #3309678 in Books
Published on: 1985-08-01
Original language: English
Number of items: 1
Dimensions: 9.25" h x .63" w x 6.25" l, .90 pounds
Binding: Hardcover
133 pages

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In the second edition of Sacred Passion, biographer Gregory Wolfe chronicles the artistic career of William Schickel (1919-2009) in the years since the original 1998 publication of this book by the University of Notre Dame Press. There are two new chapters, one on Schickel's recent contributions to the built environment in several communities, and the other on his recent paintings. There are 70 new color images, in addition to the 189 from the first edition, many of which have been replaced or enhanced.

William Schickel was born in Stamford, Connecticut in 1919 and raised in Ithaca, New York. He graduated from the University of Notre Dame in 1944. His graduation project was the sculptural fountain "Living Water," now in the university's grotto. In a consistently productive career spanning more than six decades, Schickel has combined his skills as a sculptor, architectural designer, furniture designer, stained-glass artist, and painter with his deep personal faith to bring a healing vision to a number of American communities. In addition to his many paintings and ritual arts creations, Schickel's public works include the renovation of Gethsemani Abbey in Kentucky, for which he received the American Institute of Architects' Gold Medal Award; the Duchesne Memorial Shrine in St. Charles, Missouri; the Miami Valley Hospital Chapel in Dayton, Ohio; the "Rotunda of Creation" in the Cincinnati Center for Health and Wellness; the renovation of the Bellarmine Chapel in Cincinnati; the "Journeying with Christ" mural in the St. John Neumann Church in Canton, Michigan; and the Larry Hoffsis stained-glass window in the Epiphany Lutheran Church near Dayton, Ohio.

Celebrating an artist of extraordinary faith, power, creativity, and dedication, the second edition of Sacred Passion is a tribute to William Schickel and his achievements.

"Here is an object--a book, a text, a generous portrait in images--which speaks as a sacramental does, revealed here in the chiasmic crossing between the contemporary and the ageless revealed in William Schickel's paintings, stained glass, sculpture and architecture, interwoven with the brilliance and sensitivity of Greg Wolfe's text hovering over those images. Insofar as a book can introduce us to the three- and four-dimensional world of the sacred, this is that book. Light, stone, earth, air, fire, and water: all fused here in the alembic of the contemporary Catholic imagination." --Paul Mariani, Boston College

"One of my Franciscan Brothers used to say somewhat cynically to his high school students that art will not save your soul, but it can make your soul worth saving. I was reminded of these words in reading Gregory Wolfe's book on William Schickel. Wolfe's introduction to this important artist shows graphically how Schickel in all of his art, but especially in his public commissions, educates the heart by providing a sacred space where people are drawn together by the clean simplicity of his spaces and the images that he creates within those spaces. This is a book that itself educates the heart through its journey into the sacred passion of William Schickel." --Fr. Murray Bodo, OFM

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Rabu, 23 Desember 2015

>> PDF Download Mallarme: Or the Poet of Nothingness, by Jean-Paul Sartre

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This is the first translation of a major text by Sartre on one of the greatest modern French poets, Stephane Mallarmé, whom Sartre hailed as a "hero, prophet, wizard, and tragedian." Written in 1953, Sartre's text provides not only an invigorating and convincing interpretation of Mallarmé by also an original overview of French literature in the nineteenth century.

Sales Rank: #3500868 in Books
Published on: 1991-06-10
Original language: French
Number of items: 1
Dimensions: 9.00" h x .53" w x 6.00" l,
Binding: Paperback
150 pages

Review
“Ernest Sturm's work is a distinguished and laudable contribution of Anglo-Saxon understanding of Sartre's thinking, and captures the very strength of Sartre's most powerful style. It has the lucidity used in the subtitle of the French edition.”
—Annie Cohen-Solal, author of Sartre

“Sartre as literary critic was never better than in this posthumous work.”
—Hazel E. Barnes, author of Sartre & Flaubert

“Mallarmé, like Baudelaire, always maintained that works of criticism should be written with as much commitment and force as poetry. Too few are; this one is.”
—French Studies

“Sartre as literary critic was never better than in this posthumous work.”

—Hazel E. Barnes, author of Sartre & Flaubert

Language Notes
Text: English, French (translation)

About the Author

Ernest Sturm is Professor of French at the University of California, Santa Barbara.

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2 of 3 people found the following review helpful.
Sartre's philosophy virtously applied to the study of Mallarme
By Grelland Hans H
Many people thinks Sartre is at his best when applying his philosophy to the analysis of specific historical and contemporary persons. This is how we should look at this extremely well-written piece of philosophical analysis, it is just as much about Sartre's philosophy as it is about Mallarme. However, Mallarme turns out to be just the right subject for Sartre, exemplifying Sartre's fruitful but abastract concept nothingness.

6 of 13 people found the following review helpful.
the poetically ananlytical voice of nothingness
By Lubrieux
This book exceeds the linguistical capacity of appraisal. The intro- well constructed, cleanly written- has tranfixed an elusive Sartre that resides under the appearence of Sartre. The translation is utterly perfected to echo the nuances of Sartre's analytical style. Through Sartre's analysis, one becomes aware of the meaning of the poet. From the floating pen of Mallarme, to the analytical precision of Sartre, to the beautifly rendered translation of Sturm, including an introduction that surpasses the fragile, uninformative, existence of intro's, and stands alone as a well-composed critical essay, the english reader has been granted a gift. Without reading this, you're Sartrean perspective wobbles hopelessly on one leg. Highly recommended.

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During the tenth and eleventh centuries, splendid Byzantine buildings were enriched by colorful ceramic tiles decorated with an impressive range of figural and ornamental patterns. Despite their widespread use, traces of this important decorative medium have, for the most part, disappeared. Relegated to museum storerooms, hidden in private collections, buried under layers of construction, and eclipsed by more durable media, polychrome tiles have until now been denied their full role in our understanding of Byzantine decoration and aesthetics.

A Lost Art Rediscovered includes a fully illustrated catalogue of all known tiles produced in the region of Constantinople, including the substantial collection owned by the Walters Art Museum, as well as those belonging to museums and private collections around the world. Some tiles included in the catalogue are now lost; the discovery of others is reported here for the first time. A series of scholarly essays gives the ceramics their rightful place in the study of Byzantine art and treats aspects of patronage, manufacture, function, ornament, and cultural significance. This comprehensive publication heralds the first large-scale, permanent installation of the Byzantine tiles in the collection of the Walters Art Museum.

Contributors include Jeffrey C. Anderson, Anne Bouquillon, Anthony Cutler, Elizabeth S. Ettinghausen, Cyril Mango, Marlia Mundell Mango, William Tronzo, and Christine Vogt.

Sales Rank: #4966398 in Books
Published on: 2001-10-16
Original language: English
Number of items: 1
Dimensions: 11.00" h x .94" w x 8.50" l, 2.41 pounds
Binding: Paperback
428 pages

Review

“This comprehensive and wide-ranging book revises our whole conception of polychrome revetment tiles by raising them above the level of artifacts of material culture to their proper context among the luxury arts of Byzantium. It promises to become a standard work on ornament and its role in architecture.”

—Cecil L. Striker, University of Pennsylvania

“This exciting material in this fine new publication comprises the ceramic tiles that once adorned Byzantine structures in Constantinople in a restricted period of history, that is, roughly between the ninth and the mid-twelfth centuries.”

—Nancy P. Sevcenko, Speculum: A Journal of Medieval Studies

From the Publisher
"This comprehensive and wide-ranging book revises our whole conception of polychrome revetment tiles by raising them above the level of artifacts of material culture to their proper context among the luxury arts of Byzantium. It promises to become a standard work on ornament and its role in architecture." --Cecil L. Striker, University of Pennsylvania

About the Author

Sharon E. J. Gerstel is Associate Professor of Byzantine Art and Archaeology at the University of Maryland.

Julie A. Lauffenburger is Senior Objects Conservator at the Walters Art Museum.

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Selasa, 22 Desember 2015

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Sales Rank: #17104557 in Books
Published on: 1984-02
Original language: English
Number of items: 1
Binding: Hardcover
850 pages

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Senin, 21 Desember 2015

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In Status, Power, and Identity in Early Modern France, Jonathan Dewald explores European aristocratic society by looking closely at one of its most prominent families. The Rohan were rich, powerful, and respected, but Dewald shows that there were also weaknesses in their apparently secure position near the top of French society. Family finances were unstable, and competing interests among family members generated conflicts and scandals; political ambitions led to other troubles, partly because aristocrats like the Rohan intensely valued individual achievement, even if it came at the expense of the family’s needs. Dewald argues that aristocratic power in the Old Regime reflected ongoing processes of negotiation and refashioning, in which both men and women played important roles. So did figures from outside the family—government officials, middle-class intellectuals and businesspeople, and many others. Dewald describes both how the Old Regime’s ruling class maintained its power and the obstacles it encountered in doing so.

Sales Rank: #2427080 in Books
Published on: 2015-03-31
Original language: English
Number of items: 1
Dimensions: 9.00" h x .60" w x 6.00" l, .0 pounds
Binding: Hardcover
264 pages

Review

“Jonathan Dewald’s Status, Power, and Identity in Early Modern France demolishes the myth of comfortable stability for the Ancien Régime elite, providing a template for future studies of elites in any society. Using careful analysis of all forms of social capital, his innovative methodology reveals the intricate exchanges among king and aristocrats undergirding the French monarchical state. His emphasis on the Rohan women, in particular, should open up new research perspectives on gender and continuities of aristocratic power. This new classic of social and political analysis freshens a debate launched a generation ago by Sharon Kettering and will open the twenty-first-century conversation on how to analyze clientage, status, and power.”

—James Collins, Georgetown University

“In this lively historical account of how the distinguished and powerful Rohan family was established in early modern France, Jonathan Dewald tracks the amazing array of cultural moves and social strategies that were deployed over generations by family members—both the men and the women—equally charged with attaining the crucial social capital for building the dynastic base from which they worked to preserve their social status amid ups and downs, including political blows from the outside and intrafamilial rivalries, scandals, and litigation on the inside. These riveting stories are historical gems that easily rival fictional competitors.”

—Sarah Hanley, University of Iowa

“Jonathan Dewald has established himself as the premier historian of the early modern European nobility. With this book, he delivers a microhistory of one of its leading and most interesting families. He uncovers not only how the Rohan managed to maintain their prominence in the face of the vicissitudes of fortune and multiple challenges that confronted them across several crucial generations in the sixteenth and seventeenth centuries but also, perhaps most intriguingly, how reinvention, self-fashioning, and historical awareness were part and parcel of their continued success as one of France’s preeminent clans. Dewald wears his learning lightly, making this book both indispensable for scholars and eminently accessible to students.”

—Robert A. Schneider, Indiana University

“No historian has more authority than Jonathan Dewald to write about an early modern French ducal family. Here is his chef d’oeuvre. By exploring the importance of family myths of origin, and the lives of dedicated servants, Dewald had done what he has never done before: the history of a family as a micro-state society. The firmness and clarity of the social and economic aspects of the Rohan dynasty reach deeper than the Rohan and their managers knew.”

—Orest Ranum, Johns Hopkins University

“An epic account of one of France's most notable—and notorious—families. Writing with flair and an eye for detail, Jonathan Dewald shows how the Rohan amassed power in the sixteenth century and pulled themselves back from the brink of dynastic disaster in the seventeenth century, which saw the great commander Henri de Rohan and his brother, the duc de Soubise, in exile without male heirs. In a perfect blend of political and cultural history, this startling new account of the house of Rohan weaves together public and private histories to elucidate the fragility of social standing, the fortunes spent to acquire or maintain it, and the provincial estates, esteemed bloodlines, military exploits, and family myth-making that produced both hard cash and social capital. A must-read for anyone interested in French aristocratic society.”

—Kate van Orden, Harvard University

“Dewald’s descriptive explications of the Rohan nobles’ characters and lives capture the atmosphere of the time, colorfully conveying the dynamics of court life, political maneuverings, violence, and honor. This work is a welcomed addition to the field of early modern French history.”

—Carolyn Corretti, Sixteenth Century Journal

“Jonathan Dewald’s new monograph throws a multifaceted light on one of the leading grandee families of early modern France. . . . Dewald’s important study establishes with clarity and erudition how the egos of high-ranking nobles helped to shape early modern France and Europe, and shows how their grandiose actions would prompt their overthrow in the wake of the revolution.”

—Joanna Milstein, Renaissance Quarterly

About the Author

Jonathan Dewald is UB Distinguished Professor of History at the University at Buffalo. He is the author of Lost Worlds: The Emergence of French Social History, 1815–1970 (Penn State, 2006).

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Galvin provides a critical look at the intersections between the development of queer consciousness and the poetic experimentations of Emily Dickinson, Amy Lowell, Gertrude Stein, Mina Loy, Djuna Barnes, and H.D., one that places them in a continuum of non-heterocentric existence. While these writers were non-heterocentric in their personal identities, they were also all innovators of modernist poetics. For lesbians and other non-heterocentrically defined writers, the active creation of identity outside the heterosexual economy demands new ways of writing, and this demand manifests itself not only in content, but also in poetic technique.

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Sales Rank: #3570614 in Books
Published on: 1999-09-30
Original language: English
Number of items: 1
Dimensions: 9.21" h x .35" w x 6.14" l, .57 pounds
Binding: Paperback
160 pages

Review
"Galvin lucidly and succinctly examines the poetics of six women....Galvin's provocative, clearly written, and admirably concise treatise should inspire many further readings of the five modernists."-Tulsa Studies in Women's Literature

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About the Author

MARY E. GALVIN has been teaching literature, writing, and women's studies at the State University of New York, Albany, for the past nine years./e Her specialization is in lesbian and gay studies, and poetry, particularly women's poetry.

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Sabtu, 19 Desember 2015

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Analogia Entis: On the Analogy of Being, Metaphysics, and the Act of Faith is an intellectually rigorous and systematic account of Thomas’s teaching regarding the analogy of being. Steven A. Long’s work stands in contradistinction to historical-doctrinal surveys and general introductions, retrieving by way of an interpretation of Aristotle and Aquinas the indispensable role that analogy of being plays for metaphysics and, consequently, for theology.

In his later writings St. Thomas did not return to questions about the analogy of being that he had answered earlier in his career. This has led most historical-textual treatments of analogy in current scholarship to the mistaken conclusion that Thomas actually changed his answers to these questions. Scholars fail to see the continuity between his treatment in the Summa theologiae and his earlier De veritate. Long's study demonstrates the coherence of St. Thomas’s earlier and later analyses. It shows how Thomas’s later account in the Summa theologiae necessarily presupposes his earlier teaching. This is a book that invites the reader to a demanding and speculatively intense appreciation of the metaphysics of analogy. It will contribute significantly to the growing debate on the analogy of being. “Steven A. Long’s Analogia Entis: On the Analogy of Being, Metaphysics, and the Act of Faithis a remarkable book containing a stunning speculative performance. Long speaks for a classical tradition of Thomistic thought but does so with a keen eye on precisely the ways it can help contemporary reflection. His compelling and substantive argument for the value and truth of a set of classical metaphysical understandings—for the necessity of the analogy of proper proportionality in the thought of Thomas Aquinas—will have to be taken seriously by anyone working in analogy in Aquinas as well as by a wide range of scholars within both philosophy and theology.” —John F. Boyle, University of St. Thomas

Sales Rank: #1538131 in Books
Published on: 2011-11-30
Original language: English
Number of items: 1
Dimensions: 9.00" h x .50" w x 6.00" l, .55 pounds
Binding: Paperback
152 pages

About the Author

Steven A. Long is professor of theology at Ave Maria University in Naples, Florida.

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2 of 2 people found the following review helpful.
necessary advanced reading in Thomistic metaphysics
By Vir desideriorum
Think of my review as supplemental to Stan's just below. Perhaps I'll disagree with Stan on his view that Long didn't have book-length material but only an article's worth. Well, I sympathize with this criticism largely because I think Long should have been included in T.J. White's edited anthology THE ANALOGY OF BEING, which would have required him to condense quite a bit and yes I agree that he could very well have done this. Perhaps White didn't invite him to submit, or perhaps he did and Long declined for the sake of putting out his own book, which is understandable (both books came out in 2011).

At any rate, Long does indeed "hammer" away with a rhetorical dogmatism that is off-putting, but the substance of his view requires that one deal with him if one is serious about grappling with scholastic metaphysics and the thought of Aquinas as it is debated in today's literature--and this means (as goes Long's thesis) for those concerned with more than just the question of analogy. Long's argument, a call for a "return to Garrigou" (not his precise words, but yes) on the question of analogia entis, cuts against the historical arc of Aquinas reception since at least Aime Forest's LA STRUCTURE METAPHYSIQUE DU CONCRET SELON SAINT THOMAS D'AQUIN (1931), but in the end against the Gilsonian turn as well. These writers inaugurated a renaissance in Thomism that has redirected the reception of Aquinas towards an admittedly Aristotelianized (most definitely Christian and original) but still "Neoplatonic" metaphysics of participation, with the Christian doctrine of creation ex nihilo as the controlling background commitment. All this with an emphasis on the esse-essence distinction as opposed (or at least in contradistinction to) the act-potency Aristotelianism of Reginald Garrigou-Lagrange. These are generalizations but they are generally true. Perhaps it was the work of Marie-Dominique Chenu and Etienne Gilson more so than Fabro, Geiger, and de Raeymaeker that helped the writers of the "Communio School" move away from the Cajetan-influenced Aristotelianism of the Leonine-revival period. However, a reader of such broadly Neoplatonic-Augustinian-Bonaventurian and personalist writers such as Hans Urs Von Balthasar, Joseph Ratzinger, and W. Norris Clarke will see evidence of the move to the concrete existing subject and the thinning out of the essence-esse distinction as traditionally understood (Clarke, or the occasional obliteration of the real distinction, cf. William Carlo, perhaps Rudi A. te Velde in the end--it seems to me he treads a very thin line), along with the emphasis on participation, in their thought--all characteristic of the "existential turn" in metaphysics.

It is not to say that Long categorically rejects these historical developments--he does not. But he does stand in critique of the grounding of the personal subject in what he regards as a "free-floating relation" which is to be "taken as the metaphysical basis of the analogy of being and hence for theism." For Long this interpretation is "systematically untenable" and the result of the submerging of "speculative questions in historical obscuration." What is really happening here is a rebuke to personalist metaphysics which on Long's reading, in refusing to think of being and its analogical nature just as "the likeness of diverse rationes of act and potency" (a phrase you'll come to memorize well before the end of his book), ultimately undermines the only true philosophical preambula fidei that there is: the recognition that the being of nature is an act-potency composition which requires metaphysical certification in a first cause which is pure act--"what everyone calls God" as Aquinas famously wrote.

Now Long does not stand alone in his insistence that the alleged move away from the analogy of proportionality as represented in the DE VERITATE of Aquinas has turned out to be based on a dubious argument. In short, the argument goes that there is an evolution in the thought of Aquinas on analogy of being and that his solution in DE VERITATE was temporary, a path he later rejected in the CONTRA GENTILES and SUMMA THEOLOGIAE. Long seems at first to find this view merely risible but in the end engages seriously enough with it to demonstrate his conviction of its power to persuade. Long's chief interlocutor here is the French Dominican of La Saulchoir, Bernard Montagnes (THE DOCTRINE OF THE ANALOGY OF BEING ACCORDING TO THOMAS AQUINAS, Fr. ed. 1963, Eng. 2004/2008). Montagnes' work is highly influential in subsequent literature and promises to continue and expand its influence in English language thought due to the recent English edition. T.J. White and Reinhard Hutter, for instance, both respect the fact that Montagnes' work now needs further historical and metaphysical contextualization, with White regarding proportionality and the unius ad alterum analogy "interlocking." Hutter leans more toward Montagnes, as does the participatory reading of Rudi te Velde. However, Long's Neo-Cajetanian Ressourcement project, if I may be permitted to coin a term, is quite distinguishable from the moderating positions of Hutter and White and certainly from the writers associated with COMMUNIO journal. I also note Long's other recent book NATURA PURA (2010) in which he gets similarly involved with Hans Urs Von Balthasar and Henri de Lubac on the Nature-Grace question. Another major selling-point of NATURA PURA is Long's dedication of an appendix to a criticism and lectio reverentialis--quite reverential but also quite critical--of Joseph Ratzinger on faith and reason. T.J. White, Hutter, Matthew Levering and other Thomist writers today have been to my mind variously involved in the attempt to receive, mediate, and contextualize de Lubac and Balthasar on Nature and Grace, since these latter have long since migrated from the outer edges of contemporary Catholic theology to its magisterial center, largely via the thought and teachings of Pope John Paul II and Benedict XVI as well as the monumental publishing project of Joseph Fessio's Ignatius Press. But as for Long, rather think of him as the loyal opposition. While he is avowedly sympathetic with and admiring of Balthasar, de Lubac, and Ratzinger, he takes a critically intransigent position with respect to a number of their most central formulations. His views on the analogy of being and the priority of a metaphysical preambula fidei rooted in an absolute act-potency division of being are part and parcel with his advocacy of the older Thomism of "pure nature." Admirers of both Ratzinger and "neo-scholasticism" should face squarely facts concerning the divergence of metaphysical and theological views represented by these two names, and Steven A. Long certainly does face such facts.

If the abundance of references in this review have lost you in any serious way then you aren't ready for Long's books--he says himself that ANALOGIA ENTIS is not an introductory text, and indeed the reader finds himself in medias res from the opening page. But for the serious student of Aquinas who is involved in advanced undergraduate or (more likely) graduate work, or who has such work in his or her past and wants to keep up with the status questionis, this work of Long (and his other recent works), the dense and occasionally enervating prose style notwithstanding (it is the rough-and-tumble world of Thomism, after all), is essential reading, especially if the reader is willing to take another look at Montagnes and Klubertanz (and perhaps McInerney as well, for the conceptualist-logical reading of the analogy of being as the analogy of "being", a view with which Long, I believe rightly, refuses to associate himself).

4 of 7 people found the following review helpful.
Hammer contra fuzziness
By STAN
Long's objective is to remedy fuzziness in understanding of the analogy of being in some philosophers by the doctrinal proofs of Aquinas. This he Does and does and does, and does.... Reading chapter 3 on the considerations of objections is a exercise of patience in tedium. His answer is repeatedly banged into the heads of his readers : "It is upon the evidence of this being that is common to substance and the categories and divided by act and potency that causal reasoning mounts to the conclusion that God, pure act, transcending, ens commune, as its cause, exists." (now you dont need to buy the book!)

The thesis is not so much explained and demonstrated as told, (and told...). This is unfortunate, as it would have then been a much more enjoyable and fruitful read. Much material and repetition could have been replaced by such an approach, and still have been a shorter book. (though it is not large). Otherwise, a retooling and culling of the material here would make a good submission for the appropriate journal, not a book.

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